纪录片研究 SCIE

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Documentary Studies "is not a magazine, but a systematic exposition of documentary theory written by Nie Xinru and published by Fudan University Press in 2010. This book comprehensively and deeply explores the origin, development, genres, classification, definition, narrative, and composition of documentaries, providing rich academic resources for documentary researchers and readers interested in documentary theory.

Professor Nie Xinru, with her profound background and rich practical experience in the field of film and television, has conducted a detailed analysis and discussion on documentaries. The book not only reviews the historical background of the birth of documentaries around the 1930s, but also delves into the contributions of film masters to the development of documentaries, as well as the rise of the two important genres of "direct film" and "real film" in the 1950s and 1960s and the aesthetic concepts they represent.

In addition, "Documentary Studies" has put forward unique insights into theoretical issues such as the classification and definition of documentaries, and through interdisciplinary research methods, has conducted in-depth discussions on aesthetic issues such as the authenticity of documentaries from multiple perspectives including philosophy, history, sociology, and linguistics. This has enabled the book to reach a high level of theoretical depth and breadth, making it a classic work in the field of documentary research.

《纪录片研究》并非一本杂志，而是一本由聂欣如所著，复旦大学出版社于2010年出版的系统阐释纪录片理论的著作。该书全面而深入地探讨了纪录片的起源、发展、流派、分类、定义、叙事及构成等多个方面，为纪录片研究者和对纪录片理论感兴趣的读者提供了丰富的学术资源。

聂欣如教授凭借其在影视领域的深厚背景和丰富的实践经验，对纪录片进行了详尽的分析和论述。书中不仅回顾了纪录片在20世纪30年代前后诞生的历史背景，还深入探讨了电影大师们对纪录片发展的贡献，以及“直接电影”和“真实电影”这两个重要流派在50至60年代的兴起和它们所代表的美学观念。

此外，《纪录片研究》还就纪录片分类、定义等理论难题提出了独到见解，并通过跨学科的研究方法，从哲学、历史学、社会学、文字学等多个角度对纪录片的真实性等美学问题进行了深入探讨。这使得该书在理论深度和广度上均达到了较高水平，成为纪录片研究领域的经典之作。

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